“(…) In terms of successes and results, these curiously take us back to certain dreamy annotations and drawings due to Leonardo himself. With which Javier León seems to identify with his own method of observing and proceeding, by extracting structures from data extracted from the knowledge of the real, as when Da Vinci transcribes his imagined drawings about the Flood. A series of exercises in which, questioning the scale of the viewer’s eye, the author turns relentlessly towards the swirling clouds and the wind that dominate his notes (…)”
Juan Fernandez Lacomba
